One of the qualities that most people admire in others is the willingness to _______ one’s mistakes.

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• One of the qualities that most people admire in others is the willingness to admit one's mistakes. (79) It is extremely hard some times to say a simple thing like "I was wrong about that," and it is even harder to say, "I was wrong, and you were right about that."

  I had an experience recently with someone admitting to me that he had made a mistake fifteen years ago. He told me he had been the manager of a grocery store in the neighborhood where I grew up, and he asked me if I remembered the egg cartons. Then he related an incident and I began to remember vaguely the incident he was de scribing. I was about eight years old at the time, and I had gone into the store with my mother to do the weekly grocery shopping. On that particular clay, I must have found my way to the dairy food department where the incident tool place. (80) There must have been a special sale on eggs that day be cause there was an impressive display of eggs in dozen and half-dozen cartons. The cartons were stacked three or four feet high. I must have stopped in front of a display to admire the stacks. Just then a woman came by pushing her grocery cart and knocked off the stacks of cartons. For some reason, I decided it was up to me to put the display back together; so I went to work. The manager heard the noise and came rushing over to see what had happened. When he appeared, I was on my knees inspecting some of the cartons to see if any of the eggs were broken, but to him it looked as though I was culprit(罪犯). He severely scolded me and wanted me to pay for any broken eggs. I protested my innocence and tried to explain, but it did no good. Even though I quickly forgot all about the incident, apparently the manager did not. How old was the author when he wrote this article？ A．About 8. B．About 18. C．About 23. D．About 15.

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• Much of the American anxiety about old age is a flight from the reality of death. One of the striking qualities of the American character is the unwillingness to face either the fact or meaning of death. In the more somber tradition of American literature—from Hawthorne and Melville and Poe to Faulkner and Hemingway—one finds a tragic depth that disguises the surface thinness of the ordinary American death attitudes. By an effort of the imagination, the great writers faced problems that the culture in action is reluctant to face—the fact of death, its mystery, and its place in the back-and-forth shuttling of the eternal recurrence. The unblinking confrontation of death in Greek time, the elaborate theological patterns woven around it in the Middle Ages, the ritual celebration of it in the rich, peasant cultures of Latin and Slavic Europe and in primitive cultures; these are difficult to find in American life.

  Whether through fear of the emotional depths, or because of a drying up of the floodgates of religious intensity, the American avoids dwelling on death or even coming to terms with it; he finds it morbid and moves back from it, surrounding it with word avoidance (Americans never die; they "pass away") and various taboos of speech and practice. A "funeral parlor" is decorated to look like a bank; everything in a funeral ceremony is done in hushed tones, as if it were something secret, to be concealed from the world; there is so much emphasis on being dignified that the ceremony often loses its quality: of dignity. In some of the primitive cultures, there is difficulty in under-standing the causes of death; it seems puzzling and even unintelligible. Living in a scientific culture, Americans have a ready enough explanation of how it comes, yet they show little capacity to come to terms with the fact of death itself and with the grief that accompanies it. "We jubilate over birth and dance at weddings," writes Margaret Mead, "but more and more deal with the death off the scene without ceremony, without an opportunity for young and old to realize that death is as much a fact of life as is birth." And one may add, even in its hurry and brevity, the last stage of an American's life m the last occasion of this relation to his society—is as standardized as the rest. Unwillingness to face death is A．a characteristic of American society. B．a quality found in all civilizations. C．a quality inherited from our Latin ancestors. D．a quality of the American character.

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• __ is not one of Hester’s qualities in The Scarlet Letter（）

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