Phoenix coronet and robes of rank( 凤冠霞帔 ) exclusively refers to the decoration of the bride.

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• 对于Phoenix-AwardBIOS，在开启计算机之后的第一个画面时，根据屏幕提示按（）健即可进入COMS SETUP UTILIYT的主画面。

  A . Delet B . Insert C . Home D . End

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• 简述PHOENIX系统的鉴定原理及特点。

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• 要进入Phoenix BIOS设置程序，开机时可以按（）键。

  A . A、Del B . B、Esc C . C、F12 D . D、都不对

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• Phoenix-Award BIOS在开启计算机后，按（）健可进入COMS SETUP UTILIYT的主画面。

  A . A、Delete B . B、Insert C . C、Home D . D、End

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• 笔记本PHOENIX BIOS机型刷新失败后可以不更换主板解决问题。

  A . 正确 B . 错误

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• PHOENIX微生物自动鉴定及药敏分析系统是（）

  A . 采用光电比色法，测定微生物分解底物导致pH值改变而产生的不同颜色，来判断反应的结果 B . 采用传统呈色反应法，同时采用敏感度极高的快速荧光测定技术来检测细菌胞外酶 C . 采用荧光增强技术与传统酶、底物生化呈色反应相结合 D . 底物中加入酶基质，不同的细菌作用于不同的底物，激发出不同强度的荧光 E . 利用微生物对不同碳源代谢率的差异

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• 要在Phoenix/AwardBIOS的设置界面的各项菜单间移动，使用（）键操作

  A . 空格键 B . 光标箭头键 C . 上下翻页键 D . Enter键

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• Money, particularly in literature, is commonly used to symbolize greed, what does money symbolize in Phoenix’s case?

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• Rob指“抢夺、抢掠”，robe指“长袍、制服”，它们不同源。

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• The long sleeves of Mongolian robes can serve as gloves to keep their hands warm on cold winter days.

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• Who greets and shows Mr. Murray to his table in Phoenix Tree Restaurant?

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• The major themes of the modernist literature are the distorted, alienated and ill relationships between man and ______, man and society, man and man, and man and himself.

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• Does Busigei meana woman wearing a robe without a belt?

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• Phoenix is the key factor giving rise to the flood.

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• All of the idioms formed with the combination of dragon and phoenix are positive in meanings.

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• The half-squatting, half-kneeling archers in of Pit No. 2 wear suits of armor over their war robes.

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• Can a belt make a robe look nice according to the passage?

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• 2. The major themes of the modernist literature are the distorted, alienated and ill relationships between man and ______ man and society, man and man, and man and himself.

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• 选择适当的缩合冠词： Ce sont les robes (       ) filles.

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• La dame une robe bleue est ma tante. （）

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• Words like phoenix, dragon, unicorn, and mermaid, are meaningful but they identify no entities in the real world. ()

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• Perhaps only a small boy training to be a wizard at the Hogwarts school of magic could cast a spell so powerful as to create the biggest book launch ever. Wherever in the world the clock strikes midnight on June 20th, his followers will flock to get their paws on one of more than 10 million copies of "Harry Potter and the Order of the Phoenix". Bookshops will open in the middle of the night and delivery firms are drafting in extra staff and bigger trucks. Related toys, games, DVDs and other merchandise will be everywhere. There will be no escaping Pottermania.

  Yet Mr. Potter's world is a curious one, in which things are often not what they appear. While an excitable media (hereby including The Economist, happy to support such a fine example of globalisation) is helping to hype the launch of J.K. Rowling's fifth novel, about the most adventurous thing that the publishers (Scholastic in America and Britain's Bloomsbury in English elsewhere) have organised is a reading by Ms. Rowling in London's Royal Albert Hall, to be broadcast as a live webcast. Hollywood, which owns everything else to do with Harry Potter, says it is doing even less. Incredible as it may seem, the guardians of the brand say that, to protect the Potter franchise, they are trying to maintain a low profile. Well, relatively low. Ms. Rowling signed a contract in 1998 with Warner Brothers, part of AOL Time Warner, giving the studio exclusive film, licensing and merchandising rights in return for what now appears to have been a steal: some $500,000. Warner licenses other firms to produce goods using Harry Potter characters or images, from which Ms. Rowling gets a big enough cut that she is now wealthier than the queen—if you believe Britain's Sunday Times rich list. The process is self-generating: each book sets the stage for a film, which boosts book sales, which lifts sales of Potter products. Globally, the first four Harry Potter books have sold some 200 million copies in 55 languages; the two movies have grossed over $1.8 billion at the box office. This is a stunning success by any measure, especially as Ms. Rowling has long demanded that Harry Potter should mot be over-commercialised. In line with her wishes, Warner says it is being extraordinarily careful, at least by Hollywood standards, about what it licenses and to whom. It imposed tough conditions on Coca-Cola, insisting that no Harry Potter images should appear on cans, and is now in the, process of making its licensing programme even more restrictive. Coke may soon be considered too mass market to carry the brand at all. The deal with Warner ties much of the merchandising to the films alone. There are no officially sanctioned products relating to "Order of the Phoenix"; nor yet for "Harry Potter and the Prisoner of Azkaban", the film of the third book, which is due out in June 2004. Warner agrees that Ms. Rowling's creation is a different sort of commercial property, one with long-term potential that could be damaged by a typical Hollywood marketing blitz, says Diane Nelson, the studio's global brand manager for Harry Potter. It is vital, she adds, that with more to come, readers of the books are not alienated. "The evidence from our market research is that enthusiasm for the property by fans is not waning." When the author says "there will be no escaping Pottermania", he implies that______. A．Harry Potter's appeal for the readers is simply irresistible B．it is somewhat irrational to be so crazy about the magic boy C．craze about Harry Potter will not be over in the near future D．Hogwarts school of magic will be the biggest attraction world over

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• ___.◑secretly and vigorously◑openly and enthusiastically◑easily and momentarily◑verbally and spiritually

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• Tu as vu la robe, là, à gauche - _________ Elle ne me pla t pas beaucoup.

  A．Celle B．Celle-là C．Celui-ci D．Elle

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