Western art of the 19th century shows the influence of __________ Far East.
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was a member of apeople from Scandinavia who attacked parts of northern and western Europe,including Britain and Ireland, in the 8th to 11th centuries.
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The term of "the Great Divergence" is coined by _____ to refer to the process by which the Western world overcame pre-modern growth constraints and emerged during the 19th century as the most powerful and wealthy world civilization.
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The purpose of both The Seven Lamps of Architecture and______is to glorify Gothic architecture, a style. distinguished by its high and sharply-pointed arches, which had prevailed in Western Europe from the 12 th to the 16 th centuries.
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The scholar discoursed at great lengths on the unconventional poetic style. of Walter Whitman, the 19th century American poet.
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No nation leaped into the 20th century like Japan. For two hundred years, Japan remained and isolated from the rest of the world. It doubted of western ways. In 1854, Commodore Perry of the U. S. Navy sailed into Tokyo Bay. When he showed the people inventions like the telegraph and railroad train, Japan realized what it was missing. Japan has quickly caught up with western technology. It may have even gone past it.
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Western art of______19th century shows______influence of______Far East.
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1 In 1959 Americans welcomed Alaska into the Union as the 49th state, symbolizing a change of attitude from that held in 1867, when the peninsula was purchased from Russia. Then, most Americans had little interest in 1,500,000 square kilometers "of icebergs and polar bears" - beyond Canada's western borders, far from the settled areas of the United States.
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The following authors were women writers who wrote novels in the late 19th and early 20thcentury with the exception of().
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William Butler Yeats was one of the foremost figures of 19th century literature.（)
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In the history of arts patronage(资助，赞助), entrepreneurs-turned-connoisseurs(艺术品鉴赏家，行家) are a young development. The world's greatest museums the Louvre, Hermitage, Prado began as lavish civilization-is-power statements by monarchs and emperors; private individuals did not emerge as significant museum patrons before the 19th century. Until a generation ago. those wanting to leave their mark in bricks usually did so in a room of their own in a state museum: the Duveen Galleries at Tate Britain, the Abby Aldrich Rockefeller Gallery at New York's Museum of Modern Art. But in the past 15 years, that has changed: worldwide, collectors seek immortality in glass and steel, through a museum of their own, designed by an architect of their choosing.
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