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How are you，Bob？—greetings/How do you do？Hello!Hi!What’s up？（）Ted
A . How are you？
B . I’m fine.Thank you.
C . How do you do？
D . Nice to mee tyou.
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You want to put a specific tablespace called MY_DATA in hot backup mode so you can back it up. What command would you use？（）
A . alter tablespace MY_DATA begin backup
B . alter tablespace MY_DATA start backup
C . alter tablespace MY_DATA backup begin
D . alter MY_DATA begin backup
E . You cannot back up individual tablespace
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The visitors had made so much____ that Mr. Water had to spend several days to cleaning up.
A . trouble
B . disturbance
C . damage
D . mess
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You have an Exchange Server 2010 organization.You need to identify whether an administrator has made a configuration change in the Exchange organization.What should you run？（）
A . Get-EventLogLevel
B . Get-ExchangeServer
C . Exchange Best Practices Analyzer
D . Microsoft Baseline Security Analyzer （MBSA）
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If you were to pass a stopper on a wire rope，what should the stopper be made of（）.
A . Wire
B . Manila
C . Nylon
D . Chai
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Donkey said, ‘You're so wrapped up in layers’, Here ‘be wrapped up’ means（ ）.
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Man: Can you come over for dinner tonight?Woman: I’m up to my ears in work, so I’ll have to take a rain check.Question: What does the woman mean?
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This book is made up of 16 units. But you guys needn’t learn these lectures in _____ ( 顺序 ).
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This is our ______. so you can do what you need to do
here.
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3 Complete the questions.► Have you got a car? If so, what kind?1 Have you ____ a bike? If so, when do you use it?
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--- So what is the procedure?--- All the applicants ______ before a final decision is made by the authority.
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_______, they have different goals, and so they use what you have made in different modes.
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What made the feminists so angry in the second wave of feminism?
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听力原文：W: I just made up a quart of orange juice this morning, and now I can't find it anywhere. Do you know what happened to it？
M: Did you hear a crash earlier？ That was it. I'm just as clumsy as ever.
Q: What is tile problem？
(17)
A．The woman doesn't like orange juice.
B．The woman didn't come to see Everett.
C．The man was in a car crash this morning.
D．The man broke the container of juice.
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You can hang up what you like on these______walls.
A．bare
B．empty
C．blank
D．vacant
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—What made her so upset？ —______the necklace ______yesterday.
A．Lost, bought
B．Lost, buying
C．Losing, having bought
D．Losing, bought
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— You are so lucky— What do you mean______that？
A．for
B．in
C．of
D．by
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"A writer's job is to tell the truth," said Hemingway in 1942. No other writer of our time had so fiercely asserted, so pugnaciously defended or so consistently exemplified the writer's obligation to speak truly His standard of truth-telling remained, moreover, so high and so rigorous that he was ordinarily unwilling to admit secondary evidence, whether literary evidence or evidence picked up from other sources than his own experience. "I only know what I have seen," was a statement which came often to his lips and pen. What he had personally done, or what he knew unforgettably by having gone through one version of it, was what he was interested in telling about. This is not to say that he refused to invent freely. But he always made it a sacrosanct point to invent in terms of what he actually knew from having been there.
The primary intent of his writing, from first to last, was to seize and project for the reader what he often called "the way it .was." This is a characteristically simple phrase for a concept of extraordinary complexity, and Hemingway's conception of its meaning subtly changed several times in the course of his career--always in the direction of greater complexity. At the core of the concept, however, one can invariably discern the operation of three aesthetic instruments; the sense of place the sense of fact and the sense of scene.
The first of these, obviously a strong passion with Hemingway is the sense of place. "Unless you have geography, background," he once told George Anteil, "You have nothing." You have, that is to say, a dramatic vacuum. Few writers have been more place-conscious. Few have s carefully charted out she geographical ground work of their novels while managing to keep background so conspicuously unobtrusive. Few, accordingly, have been able to record more economically and graphically the way it is when you walk through the streets of Paris in search of breakfast at corner café… Or when, at around six o' clock of a Spanish dawn, you watch the bulls running from the corrals at the Puerta Rochapea through the streets of Pamplona towards the bullring.
"When I woke it was the sound of the rocket exploding that announced the release of the bulls from the corrals at the edge of town. Down below the narrow street was empty. All the balconies were crowded with people. Suddenly a crowd came down the street. They were all running, packed close together. They passed along and up street toward the bullring and behind them came more men running faster, and then some stragglers who ere really running. Behind them was a little bare space, and then the bulls, galloping, tossing their heads up and down. It all went out of sight around the corner. One man fell, rolled to the gutter, and lay quiet. But the bulls went right on and did not notice him. They were all running together."
This landscape is as morning-fresh as a design in India ink on clean white paper. First is the bare white street, seem from above, quiet and empty. Then one sees the first packed clot of runners. Behind these are the thinner ranks of those who move faster because they are closer to bulls. Then the almost comic stragglers, who are "really running." Brilliantly behind these shines the "little bare space," a desperate margin for error. Then the clot of running bulls-closing the design, except of course for the man in the gutter making himself, like the designer's initials, as inconspicuous as possible.
According to the author, Hemingway's primary purpose in telling a story was ______.
A．to construct a well-told story that the reader would thoroughly enjoy.
B．To construct a story that would reflect truths that were not particular to a specific historical period
C．To begin from reality but to allow his imagination to roam from "the way it was" to "the way it might have been"
D．To report faithfully reality as Hemingway had experienced it.
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If you are a smoker and really need to light up, where can you do so()?
A.In the office
B.In the restroom
C.Outside the buildings
D.In the designated smoking areas
此题为多项选择题。
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—– What do you think made Mary so upset？—– _____ her new bicycle（）
A．As she lost
B．Lost
C．Losing
D．Because of losing
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Researches show that many people do not leave all organizations but leave a boss.So it is vital that when you apply for a position, you not only look at the organization and the role, but also interview your future boss.Applying for a new job is a two-way street—they select you and you select them. Before you go to the interview, write clown what your selection standards are for an effective boss.You can make a list of selection criteria, such as: What made your last boss "good" for you？ How do you like to be trained？ How do you like your boss to communicate with you？
Then you place them in order of importance.The most important should be on top of the list.Once you are clear on your standards, you may get some idea of how your future boss operates by the way the interview is conducted.For example, did it start and finish on time？ How formal or informal was the room？
When the interview gets to the "Do you have any questions？" stage, you might like to ask some questions.With well-prepared questions, you can develop a very good idea of your future boss's management style.
36、Many people leave an organization because ______.
A.the boss doesn't like the employees
B.they don't like the boss
C.the organization is not good
D.the organization is not important
37、If you place your questions in order of importance, you ______.
A.put the least important first
B.put the longest question first
C.put the most important last
D.put the most important first
38、You can judge your future boss by the following EXCEPT ______.
A.whether the interview started on time
B.whether the interview room was formal
C.whether the boss played funny jokes
D.whether the interview finished on time
39、From this passage we get to know ______.
A.the interviewee can ask any question to the interviewer
B.the interviewer asks many difficult questions to the interviewee
C.the interviewer asks questions first
D.the interviewee asks questions first
40、The best title for this passage might be ______.
A.How to Get Along with Your New Boss
B.How to Ask Your New Boss Questions
C.How to Select Your New Boss
D.How to Prepare for Interview
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听力原文：M: Hello, Marry. What's up with you？
W: Oh, Tom. It's my landlady again.
M: You're always in trouble. What is it this time？
W: You see, she left a note for me. Just read it.
M: Well, did you leave the front door open？
W: I honestly don't remember. I got back late from a party. Anyway, what does it matter？ It's all complaints in that house: first noise, then bathroom.
M: Well, in that case, why don't you look around for another place？
W: I've already started. I looked in the paper this morning, plenty of advertisements as usual, but must of the places are too far from school.
M: Look, why don't you come and share with us？
W: But surely there are four of you in the flat already, aren't there？
M: Yes, but, you know, Jane is leaving at the end of the month. She's got a job down south. There will be a spare room. It's rather small, but you can sleep there for the moment till you find a nice one.
W: That's a good idea. How many rooms do you have？
M: We have four bedrooms and a big living room.
W: What are the arrangements？
M: Oh, we share all expenses, of course, rent, light, and heating.
W: What about ford？
M: Oh, we each buy our own. It works out fine that way. And you can do any thing you like in your own room, but there is one thing...
W: what's that？
M: Don't leave the front door open. Strange people may wander in.
W: All right. I promise that won't happen again. By the way, when is Jane leaving？
M: Let me see... yes, this time next week.
W: Today is the 22nd, Tuesday, so she's leaving on the 29th. Well, I will move in one day after she leaves.
M: Yes, no problem. We will get ready by then.
W: Thanks a lot.
M: You're welcome.
(27)
A．Her difficulties at her house.
B．Finding a place to live.
C．The parties she went to.
D．Her friend's house.
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"You look so pale, what troubles you？" "I （) my dead mother."
A．A.thought about
B．B.was thinking about
C．C.have thought about
D．D.am thinking about
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—So what is the procedure —All the applicants ________ before a final decision is made by the author—So what is the procedure —All the applicants ________ before a final decision is made by the authority.（）
A．interview
B．are interviewing
C．are interviewe
D．are being interviewed
